In a particular moment of helplessness, their previous leads to Nemo having dried up, Dory sneaks into the frame and shares with Marlin her sing-songy wisdom for when times get tough: "Just keep swimming, just keep swimming, just keep swimming, swimming, swimming.
What do we do, we swim, swim…" The simple aphorism exploded into a positivity movement all its own, finding its way onto the senior quotes of high school students, tattoos, T-shirts, blog posts, GIFs… you name it. Django Unchained In the second of his revisionist history films, Quentin Tarantino is in peak form, dishing out fantasy justice to abominable characters like Leonardo DiCaprio's Calvin J.
Candie, a smooth-talking slave-owner with a passion for phrenology. Candie's gleeful hatred -- covered with a slimy veneer of Southern manners -- puts the efficiency of Tarantino's character development on full display. The slave-owner is the quintessential talentless, overconfident man who believes himself far superior to a foreigner and a free slave, despite all evidence to the contrary. As he takes a childish slurp out of a coconut filled with booze, DiCaprio delivers the film's best line with the kind of uncomfortable familiarity and condescension that make the final act's revenge fantasy fully earned.
It's the kind of line you could imagine a venture capitalist or similar vampire uttering today; we thankfully no longer sell humans as commodities, but the sickening nature of business sharks remains.
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Finding Forrester It's tough to explain why "You're the man now, dog" needs to be on this list. For one thing, the movie that the quote springs from, a coming-of-age drama starring Sean Connery as a J. Salinger-like literary recluse who mentors a teenage basketball player, is completely forgettable, a sentimental retread of Good Will Hunting from people who should probably know better. In the context of director Gus Van Sant's career, it's considered a semi-embarrassing speed-bump on the way to more experimental, riskier terrain like Gerry and Elephant.
Launched in with a loop of Connery repeating the line, YTMND became an online community for users creating and sharing low-quality audio-visual jokes with each other, the kind of inexplicable and absurd concoctions internet users now take for granted as the basic language of being a little too online. The site became a pre-Twitter and -Facebook behemoth with four million monthly users at its peak, according to a Gizmodo article about its rise and eventual fall.
And it did fall hard, almost disappearing earlier this year after suffering a " catastrophic failure ," but the site's influence is massive. Thank you, Sean Connery. Girls Trip Tiffany Haddish's most famous moment in Girl's Trip , the riotously funny comedy written by Kenya Barris and Tracy Oliver, might be the instructional scene involving a grapefruit, but the "booty hole" exchange, which occurs in the airport before the big trip to the Essence Festival in New Orleans, is when we really get a sense of what her character, Dina, is going to bring to this movie.
Simply, she's the funniest friend, the wildest travel companion, and the person most likely to stuff drugs in her butt.
She steals this scene and then proceeds to walk away with the entire movie. Hunger Games Katniss Everdeen's declaration was taken directly from Suzanne Collins' bestselling YA novel, but it's Jennifer Lawrence's performance that makes it worthy of inclusion here.bbmpay.veritrans.co.id/dating-gay-de-ogjares.php
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From her, the words became a chillingly desperate gasp. As the heroine of the dystopian fantasy, Lawrence shouts the phrase when her little sister is recruited to be part of the cruel games in which children from fantasy nightmare Panem's various districts are sacrificed. The Hunger Games films themselves have seemingly become less culturally relevant over time, but "I volunteer as tribute" remains alternately a rallying cry and a way to say you, uh, volunteer for a task. Just take a jaunt to Etsy and you'll find all kinds of merchandise bearing the cutesy phrase.
Hail, Caesar! A pompous director Ralph Fiennes attempts to get a cowboy actor Alden Ehrenreich to say an overwrought line of old-timey dialogue correctly. Their back and forth is like an amped up Marx brothers routine and the actual phrase is so surprisingly convoluted that it's all fantastic comedy. Spider-Man Mention "Spider-Man" to anyone who's ever dipped a toe into the pop culture wave pool, and they'll probably reply with some variation of this quote.
It's a classic line from Marvel's Spider-Man comics that, because of the popularity of Sam Raimi's superhero masterpiece, is now ubiquitous. Plenty of people probably don't even know it's from Spider-Man! In Raimi's movie, Uncle Ben says it to Peter Parker while trying to have The Talk, not knowing that Peter is currently dealing with a puberty transformation of a different kind the kind with six more legs than usual , and yet what he says to him in this moment ends up being the force that drives Spidey for the rest of his life. It's the inverse of "absolute power corrupts absolutely": people with strengths and abilities beyond others -- superpowered or not -- have a duty to understand how to use those abilities.
Just because you CAN do something, just because you have a certain level of power that others don't, doesn't always mean that you should. Requiem for a Dream Nobody on the Thrillist Entertainment staff was jumping out of their seat to take the "ass to ass" quote, and who can blame them! It's the seediest, most repulsive line in a seedy, repulsively attractive film, and it serves as the three-word culmination of lives given over to the destructive power of drugs.
The line comes during the film's final montage, which depicts each of the central characters' rock bottom: Harry's Jared Leto infected arm needs to be amputated, Tyrone Marlon Wayans has to kick heroin cold turkey in prison, and Sara undergoes electroshock therapy. But it's Jennifer Connelly's Marion who's subjected to the most degrading act in her perpetual search for drugs.
Having already set up an arrangement with the pimp Big Tim Keith David , Marion takes him up on his offer to join a little party he throws, a party that's actually a sex show. As the scene intensifies and Connelly and the other girls continue blowing cocaine, one asks, "So what are we gonna do now?
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Herman's Uncle Hank his name comes from the book , who knows exactly what they're gonna do now: The act that's pretty well described by its name. If you know nothing else about this movie, you probably still know this line thanks to its ubiquity on the internet -- a line and scene that director Darren Aronofsky says on the DVD commentary were inspired by something he actually witnessed. No further elaboration given. Mad Max: Fury Road George Miller effortlessly created a whole world, complete with its own societal structure and mythology, within the first half hour of his epic Mad Max: Fury Road , adding fierce Imperators and albino "warboys" to his diesel-drenched post-apocalyptic saga.
The tyrannical Immortan Joe has developed a religion in order to subjugate his people, convincing them that, when they die, they'll continue to "ride shiny and chrome" in the viking afterlife of Valhalla. That's what he says to young Nux Nicholas Hoult before he sends him on a suicide mission. It's the YOLO of the sandy, violent future. It's also the thing your lizard brain says to itself right before you run a red light. Anakin grew up as a slave on a desert planet, so yeah, naturally, the texture of sand would probably bring back those memories.
But, geez, man, can't you think of a less creepy way to say it? Zero Dark Thirty Jessica Chastain is not exactly a "funny" performer, and Zero Dark Thirty , the controversial drama about the years-long hunt for Osama bin Laden, is definitely not a "funny" movie. The character she plays, a no-nonsense CIA intelligence analyst named Maya, is obsessed with her job, and when she gets in the room with James Gandolfini's gruff CIA Director she doesn't back down.
She's been pushing this rock up a hill for years. The "motherfucker" line has a grim matter-of-factness to it that speaks to the movie's focus on Maya's single-minded, ethically warped mission. Zero Dark Thirty and The Hurt Locker , the two tactics-obsessed war films written by Mark Boal and directed by Kathryn Bigelow from the '00s, are filled with functional bits of military jargon, bureaucratic double-speak, and terse commands.
They're not exactly quotable, choosing to focus on creating feelings of dread instead, but somehow the "motherfucker" line cuts through the tension and adds a much-needed moment of levity.
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Phantom Thread You wouldn't typically think someone poisoning her partner is "sweet," but Phantom Thread pulls it off. Paul Thomas Anderson's follow-up to the hazy, mumbling, postmodern mystery Inherent Vice favors the meticulous, harsh candor of Daniel Day-Lewis' Reynolds Woodcock and the narrative straightforwardness of a couple falling in love. A fashion designer with obsessive-compulsive and controlling tendencies, Woodcock spends the entire running time verbally cutting down those who fail him -- including Alma, the waitress he's turned into his muse, though she's totally unwilling to give up her own assertiveness and independence The tea is going out, the interruption is staying right here with me!
Their dynamic makes his response to Alma's revelation that his omelet is poisoned so perversely sweet. Just when the struggle of being together reaches its darkest moments, Alma and Reynolds lay their cards on the table. She wants him flat on his back; he's finally willing to give up control. It epitomizes the contradictory, painful, and transcendent nature of love, and puts a fitting capstone on Alma and Reynolds' courtship.
Thankfully, the years have been kind to this parody of tedious music biopics, especially considering Hollywood keeps making tedious music biopics. Ahem, Bohemian Rhapsody. You see, Dewey slices his brother in half during a playful machete fight, and his father will not stop reminding him: "Wrong kid died. Cage doesn't inhabit a role so much as he grabs it by the scruff of its neck and beats it into submission, and nowhere is that technique more evident than in Wicker Man , the mid-aughts remake of the British horror classic.
It's a quintessentially insane Cage performance; some might call it bad acting, while we choose to recognize its unhinged gonzo genius. Throughout a film that has Cage running around yelling at children, punching and kicking women, the scene where the neo-pagans finally exact their punishment is among his finest work. It's outstanding. Bridesmaids Bridesmaids is important for lots of reasons, but for our purposes here, we're going to focus on the fact that it unleashed the absolute comedic delight of Melissa McCarthy upon the world as Dougie's Tim Heidecker doofus-with-a-heart-of-gold sister, Megan.
In the first scene we're introduced to her, we get a lot from Megan, oversharing with Kristen Wiig's Annie about getting pins in her leg after falling off a cruise ship and mistaking the extraordinarily tall Hugh Dane smoking a pipe and wearing a newsboy cap for Annie's "fella," which is when we get this gem of unfiltered libido.
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The Prestige The whole point of magic tricks is to deceive. Part of doing magic is making the audience think the trick is happening over here, while actually making something else happen over there. When you're watching the ball in one hand, you're not focusing on what he's doing with the other, which is what makes the trick work in the end.
Ricky Bobby prefers the Christmas Jesus, and thus: "Dear 8-pound, 6-ounce newborn infant Jesus, don't even know a word yet Love that money! Also, due to a binding endorsement contract that stipulates I mention Powerade at each grace, I just want to say that Powerade is delicious and it cools you off on a hot summer day and we look forward to Powerade's release of Mystic Mountain Blueberry.
Thank you for all your power and grace, dear baby God. Barbershop The Barbershop franchise is all talk.